In “23,” Cyrus seems to be at it again with the language she uses and dressing in a Chicago Bulls “uniform” (that even the cheerleaders would classify as skimpy) donning Michael Jordan’s #23. Dodai Stewart of summarizes Cyrus’ “We Can’t Stop” video this way - “A lesson from Miley Cyrus’ new video: If you want to look “cool” and “edgy” and “tough” just steal the styles and dance moves of black people.” Miley Cyrus cries foul on VMAs double standard > For example, Cyrus told Notion magazine, “People have this misconception of me that I’m just one of these kids on TV and that now I go off and party and I’m just this ratchet white girl, and I’m not.” (Did she say this while she was twerking with gold grills on her teeth?)Ĭyrus’ VMAs performance riled racial tensions because many felt that Cyrus continually borrows from the black community to the point of exploitation - at the VMAs she slapped a black woman’s butt and used black women as teddy bear props. It’s a trendy word that essentially means someone or something is a hot mess. Song highlight: "You can't blame me for who I am.This word is not in the lyrics of “23,” but I figured we’d kick off with this, since this term has become synonymous with Miley Cyrus. If she's going to be lost and foolish, at least she's going to own it. "Moving on up and forward onto all that will become." You could hardly accuse pixie-haired, tongue-wielding, 20-year-old Cyrus of being insecure or second-guessing her path, so the central lyric of this song truly feels like a sucker punch: "You might think I'm crazy / That I'm lost and foolish leaving you behind," she fumes before admitting, "Maybe you're right."īut the bridge seizes those same doubts, those same fears, and twists them until they become triumphant: "This chapter's done," Cyrus declares. The album runs the heartbreak gamut, featuring moments of denial, devastation, fury, and plenty of post-breakup rage.īut the self-doubt expressed in "Maybe You're Right" is a unique, acute shade of anguish. "Maybe You're Right" is rivaled only by "Wrecking Ball" as the most stirring emotional moment on "Bangerz." "Maybe You're Right" is the 12th track on "Bangerz." If you like this, listen to: "Adore You," "Space Bootz" She adopts an airy, eerie tone - enhanced by an echo effect - sounding like a cute-girl ghost with unfinished business on earth. Song highlight: We all know that Cyrus loves to belt, but she uses her voice in such a different and fresh way on this song. "Something About Space Dude" epitomizes that very strength.Īs Rolling Stone's Rob Sheffield wrote in his review, "'Something About Space Dude' is the real killer here - an aching acoustic sex ballad about a Bowie boy who isn't even there, leaving her to sob, 'I want to be there skateboarding in a space dude's evil lair.'" Cyrus explores disappointment and insecurity in an unrefined, disarming way. In reality, "Dead Petz" is a mesmeric journey through the pop rebel's inner world.ĭespite the album's numerous drug references, it's not her highs, but rather her lows that make "Dead Petz" interesting. "Miley Cyrus & Her Dead Petz" is too often maligned, largely thanks to "Dooo It!" - an aberration for an artist who's usually fantastic at selecting singles - and Cyrus' questionable style during this era. "Something About Space Dude" is the fourth track on "Miley Cyrus & Her Dead Petz." Account icon An icon in the shape of a person's head and shoulders.
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